Skydance Animation has acquired the rights to produce "Ray Gunn," an animated film directed by Brad Bird, known for "The Incredibles" and "Ratatouille." The project reunites Bird with former Pixar colleague John Lasseter and marks Bird's return to animation since "Incredibles 2." Skydance CEO David Ellison and the animation team expressed enthusiasm about creating a unique cinematic experience with Bird, highlighting his impressive filmmaking record.

Bad Dinosaurs is the debut animated series from Snafu Pictures, a high-octane thrill ride through the Mesozoic, that follows the hilarious shenanigans of a Tyrannosaurus family as they deal with the trials of life in the prehistoric wilderness, while surrounded by incompetent dinosaurs. Based on a series of phenomenally successful online shorts co-created by animation veteran Joel Veitch; animation will be produced by Able & Baker (Love Death & Robots, Dragon Rider), and directed by Academy Award® shortlisted and multi award winning Simone Giampaolo. Produced by Snafu Pictures with animation partner Able&Baker 

Over the course of my six-year tenure at 'Seriously,' I undertook a diverse range of roles, transitioning seamlessly from a game artist to a marketing artist.

"Somos Aerea" represents an ongoing dialogue between Gon Muruaga's music and my video creations, forming an infinite exchange of artistic expression.

The primary objective of "6th Day Rejected" is to simulate artificial life within a digital environment. This simulation aims to provoke a series of profound inquiries about the concept of life itself and its implications on reality. Ultimately, the intention is to evoke a visceral response from the viewer, prompting contemplation on the nature of existence and its impact.

I was appointed as the CG Supervisor at Rovio's animation studio, where my initial responsibility involved establishing the visual aesthetic for the first season of the series Piggy Tales and devising the necessary pipeline for shading, lighting, and rendering processes. Subsequently, I contributed to various projects, including animation series, commercials, and the development of new IPs, focusing on creating their distinct look and feel.

I engaged in the creation and exploration of computer-generated abstract landscapes.

I collaborated closely with my cousin, the artist Alvaro Díaz-Palacios, to explore the convergence of traditional painting techniques and digital art, pushing the boundaries between these artistic mediums. 

I began my journey at Ilion as a Shading and Lighting Artist, contributing to the development of the feature film "Planet 51." Subsequently, I took on various projects in the role of Shading Team Lead. Finally, I held the position of Shading Supervisor for the movie "Mortadelo and Filemon: Mission Implausible."